Text and Music
Adam Lenson
Co-creation and Dramaturgy
Hannah Moss
Direction and Dramaturgy
Dan Goldman
Set & Costume Design
Libby Todd
Lighting Design
Ben Jacobs
Music Production / Orchestration
Stu Barter
Consulting Dramaturgs
Emma Jude Harris
James Rowland
Access Coordindator
Sasha Georgette
Access Support
Alisha Dua
Press
Storytelling PR
Production Photography
Alex Brenner
Developed with support from
Arts Depot in Finchley and Camden People’s Theatre
If you enjoyed the show I would be so grateful if you might post a review on THE EDFRINGE WEBSITE or write about it ON SOCIAL MEDIA. Or if you might tell a friend about it. Word of mouth is so important for solo shows. Thank you. And Sorry.
EDINBURGH FRINGE 2026
12:15pm RED LECTURE THEATRE, SUMMERHALL, EDINBURGH. 6-31 August 2026
We've all said things we wish we could un-say. Broken things we wish we could un-break. But is one word enough to fix all our regrets?
In his new show, acclaimed theatre-maker Adam Lenson weaves together song, storytelling and autobiographical investigation as he tries to fix the broken things in his life.
From synagogue to school playground, from online pile-ons to family fallout, Is It Too Late Now To Say Sorry? is a funny, hopeful exploration of guilt, shame, and the terrifying possibility of forgiveness.
TEAM BIOGRAPHIES
ADAM LENSON | Writer & Performer
Adam is a London based theatre director and multidisciplinary artist. His previous solo show Anything That We Wanted To Be premiered at Summerhall in 2023. Directing includes: FLYBY (Southwark Playhouse), Cable Street (Marylebone Theatre London, 59E59 New York), and Precipice (Timelapse, New Diorama). His full biography can be found here
HANNAH MOSS | Co-creation and Dramaturgy
Hannah is a Bristol-based director and theatre-maker working across physical theatre, devised performance and new writing. Trained at École Internationale de Théâtre Jacques Lecoq, she toured internationally with her company On The Run. Her directing credits include Anything That We Wanted to Be (Summerhall, CPT) and Self(ish) Love (CPT, Omnibus). From 2019-21, she was a Visiting Practitioner at Drama Centre London, leading movement workshops for Undergraduate and postgraduate students.
SASHA GEORGETTE | Access Coordinator
Sasha is a multidisciplinary artist with a specialisation in accessibility practices.
Credits include: Now That’s What I Call… The Afterlife (Dramaturg, HOME), Flyby (Access Coordinator, Southwark Playhouse), Cable Street (Access Coordinator, Marylebone Theatre & 59e59), Precipice (Access Support, New Diorama), Pests (Associate Producer & Access Lead, Wisteria Theatre), How Disabled Are You? (Access Support, Brighton Dome), Sink (Associate Dramaturg), Vile (Access Lead & Assistant Director, 53two), Toxic (Rehearsal Assistant, UK Tour), Borrowed (Writer, HOME & Unity Theatre), Acceptance Day (Writer, Rope Ladder Fiction), Red Flags (Director, theSpaceUK), Richard's Little World (Director & Dramaturg, Contact Theatre) Confessions (Assistant Director, 53Two), Ladyfriends [A Period Drama] (Dramaturg, Hope Mill Theatre), Blackbird (Director, Liverpool's Royal Court).
DANIEL GOLDMAN | Direction & Dramaturgy
Daniel Goldman is a playwright, director, translator, and teacher. He trained at Cambridge University, Ecole Jacques Lecoq in Paris and Andamio 90 Theatre School in Buenos Aires.
Writing credits include Shylock in New York (National Theatre Studio), Frankenstein in Beijing (Inside Out Theatre, Beijing), Lambs (Guilford School of Acting) and a short play, The Jew (Kiln Theatre). Directing credits include Thebes Land (Off West End Award - Best Production), You're not like the Other Girls Chrissy (co-directed with Omar Elerian - Olivier Award Nomination), Camasca (Teatro Britanico, Lima), Songs of Friendship: A storytelling trilogy with James Rowland (Three Weeks Editors Award), and The Rage of Narcissus (Off West End Award - Best Play). Translation and adaptation credits include Thebes Land, The Rage of Narcissus, When you pass over my tomb, Divine Invention, Fuente Ovejuna and Yerma. Daniel was twice director of the Cambridge Greek Play (Oedipus at Colonus and a double bill of The Persians and Cyclops) and has also directed Wanawake Wa Heri Wa Windsa (The Merry Wives of Windsor) in Swahili for Shakespeare's Globe Theatre Globe to Globe Festival, Henry V in Spanish in a Mexican prison and Tartuffe in Hindi for Drama School Mumbai. He is the artistic director of Tangram Theatre Company (founded in 2006) and was the founding artistic director of Casa Latin American Theatre Festival which he ran from 2007 to 2019.
BEN JACOBS | Lighting Design
Ben Jacobs is an Olivier Award-winning Lighting Designer. Training: Royal Central School of Speech and Drama.
Recent credits include: A Tale of Two Cities (Marlowe), The Importance of Being Oscar (Park), (Southwark Playhouse), BBC Philharmonic Sessions: The Rite of Spring (Aviva Studios), Victoria: A Queen Unbound (Watermill), The Ladies Football Club (Sheffield Theatres), Cable Street (Marylebone), A Ghost in Your Ear (Hampstead), Precipice (New Diorama), Tick, Tick... Boom! (The Bridge, Brussels), Charley’s Aunt (Watermill), Pitchfork Disney (King’s Head), Oliver! (Chichester & Gielgud & Olivier Award for Best Lighting), 1984 (Hackney Town Hall), Miss Julie (Park), Singin’ in the Rain (Teatro Sergio Cardoso, São Paulo), King Hamlin (Park), Evita (Parque Villa-Lobos, São Paulo), Dawn French is a Huge Twat (UK & international tour), Salome, Seussical, Bring it On (Southwark Playhouse), A Midsummer Night’s Dream (Wilton's Music Hall).